The church of San Pedro is located on a small hillock, resembling a castro or fortress, from which an extensive valley can be seen. It is a single-nave church divided into four sections, one of which is the presbytery, with a semicircular apse. The most notable feature of the entire structure is its western facade. It is vertically divided into three parts by two buttresses that frame the central section. Horseshoe arches used in the Compostela cathedral, moldings, scotias, and beads, as well as baquetones, decorate the archivolts of the main door. A checkered pattern at the top completes its decoration. These archivolts rest on capitals decorated with geometric motifs. These, in turn, rest on three columns, the central ones being Solomonic. Their capitals are richly decorated with varied motifs, which we will discuss in a later section. Supported on corbels decorated with two beasts guarding the entrance to the temple, we observe the tympanum occupied by a cross in whose center, surrounded by a circle, we find a rampant lamb looking north. An inscription and the date 1713 refer to the Right of Sacred Refuge. The figures of San Pedro and Santa Ana decorate the spandrels above the archivolts. San Pedro, represented with priestly ornaments, holds a key in his hand. Both sculptures are typically Romanesque, facing forward in a majestic attitude. Santa Ana, with her right hand on her chest and her left on her belly, has a softer and less serious face than the former. It can also be observed how the garments show folds indicating slight movement. A cornice running along the church walls cutting through the buttresses serves as a rain guard on the main facade, reducing its size on the rest of the walls. On the facade, under the mentioned cornice, between the corbels that support it, we can observe a series of metopes with various decorations such as animal motifs, human figures in different postures, and vegetal decoration.